Christopher Green, Cubism and its Enemies, New Haven and London 1987, p.
Designs for a Screen: Figures by a Lake 1912 , gouache on board, was influenced by paintings by and and might have been a part of Bell's exhibit Design for Screen, which was shown at the Friday Club Exhibition in February 1912.
In the case of Abstract Painting, it drew attention to the binary qualities of flatness and depth that were fundamental to debates about modernism throughout the twentieth century.