“‘Ideal’ Femininity Is Actually Just Successful Drag”: Gender Performance in Little Miss Sunshine and Dumplin’. By Leah Gaus
Flickr: Discussing the list (of people in the book) check here in It's a girl thing
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Flickr: Discussing the list (of people in the book) check here in It's a girl thing
From shaving their legs to styling their hair and makeup, contestants are required to consistently look their best, as measured by the high standards of femininity that our patriarchal society demands.
Since the first Miss America pageant in 1921, the industry has performed a specific type of femininity.
The camera cuts to a close-up of their laughing faces and, as Will moves to escort Ellen to her position on the platform, then cuts to a long shot showing the entirety of the stage.
In making her act hypersexualized, Olive draws attention to the objectification of women in the pageant industry, therefore critiquing its messages.
In breaking these expectations of femininity through her attire, Olive transgresses the gender standards of the pageant industry, therefore exposing the absurdity of these demands.
As we see throughout the film, the other contestants wear bright makeup and frilly dresses with sequins, the attire expected of child beauty pageant contestants.